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Enter Night: A Biography of Metallica, by Mick Wall
Get Free Ebook Enter Night: A Biography of Metallica, by Mick Wall
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Sprung from the roots of 70s hard rock, Metallica defined the look and sound of 1980s heavy metal, just as Led Zeppelin had for hard rock and the Sex Pistols for punk before them. Inventors of thrash metal―Slayer, Anthrax and Megadeth followed―it was always Metallica who led the way, who pushed to another level, who became the last of the superstar rockers. Though plagued by adversities, including the death of their bassist in a bus crash, infighting and substance abuse, they survived to became the biggest-selling band in the world. With 100 million records sold worldwide, their music has extended its reach beyond rock and metal, and into the pop mainstream, as they went from speed metal to MTV with their hit single "Enter Sandman". Until now there hasn't been a critical, authoritative, in-depth portrait of the band. Mick Wall's thoroughly researched, insightful work is enriched by his interviews with band members, record company execs, roadies, and fellow musicians. He tells the story of how a tennis-playing, music-loving Danish immigrant named Lars Ulrich created a band with singer James Hetfield and made his dreams a reality. Enter Night delves into the various incarnations of the band, and the personalities of all key members, past and present―especially Ulrich and Hetfield―to produce the definitive word on the biggest metal band on the planet
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Product details
Paperback: 480 pages
Publisher: St. Martin's Griffin; First edition (August 21, 2012)
Language: English
ISBN-10: 1250007313
ISBN-13: 978-1250007315
Product Dimensions:
5.6 x 1.4 x 8.1 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
48 customer reviews
Amazon Best Sellers Rank:
#428,742 in Books (See Top 100 in Books)
The beginning of the book is interesting where he tells how they got started and their backstories but beyond that this is really Mick reviewing and trashing a lot of Metallica records. He states when they put out Master of Puppets that it is way ahead of Ride the Lightning in every aspect especially in songwriting and production. I think a lot of people would disagree that MOP is better than RTL. Why have I heard For Whom the Bell Tolls in a few movies. Can't recall any MOP songs that I know of. FWTBTs and Fade to Black I think are 2 of the best songs they ever recorded. He really puts down Justice for All... which I think a lot of Metallica fans believe is thier fasted and heaviest albums. Even to go as far as to put down the CLASSICS Harvester of Sorrow and Shortest Straw. He even blatenly lies saying Four Leave Clover wasn't a hit in America. Funny the song went to #1 on mainstream rock chart. (Really the only radio format that plays Metallica songs.) Another thing he trashes is Death Magnetic. And asks "Why did they record this? Well Mr Wall, I think it was for the fans that absolutely love hearing new music from them. (Especially ME!) He says they brought back their old sound but all the songs were fogettable after listening to them. I know I haven't forgotten them and loved the record. I personally think its the best since Justice and IMHO many of the songs are classics. I will say that he was fair to Jason Newstead telling about how such a raw deal he got from joining a band he loved. I would say its worth reading for Metallica Fans but his reviews of Metallica's records which makes up a lot of the last half of the book is just awful.
I don't usually review books but this time reading the rubbish written by what must be Jason Newsted's girlfriend below I just had to. I live in the UK and was lucky enough to get a copy of this book for Xmas. I have since read it three times. I am also a Metallica nut and have other books on them. None are even close to this one though. Enter Night is a masterpiece. Far from playing favors, Wall ignores the band's feelings to tell it as it is. It's amazing they will want to stay buddies with him after they read it. The truth hurts fellas and this is it. It also means when Wall says something is good you know it really must be. Best rock book I have read for a very long time. But then hey this is Mick Wall. If you read his Zep book you'll know this guy is an awesome writer.
Five stars for a thorough and interesting review of each band member and their respective backgrounds, as well as what was going on with the band and what they (and producers) were trying to achieve with each album and even many individual songs. It proved to be one of those books that I couldn't wait to start reading again to shed light on what would happen in the next few months/years/events for the band. Since reading and finishing the book I've found myself listening more to Metallica and thinking about what it was going through at the time the song was wrote and what went into writing that particular song. Admittedly I did not like how freely the author would criticize or speak ill of many songs and some albums, some of which I think were some of Metallica's better songs and work overall. These are Mick Wall's personal opinions, and he is certainly entitled to them, but I didn't appreciate nor value his thoughts on them, I read the book to know about the band itself. I would recommend this book to anyone who is a Metallica fan or even just a fan of hard rock music.
You don't need to read this book if you have already read Joel McIver's masterful books, JUSTICE FOR ALL: THE TRUTH ABOUT METALLICA and TO LIVE IS TO DIE: THE LIFE AND DEATH OF METALLICA'S CLIFF BURTON.If you have not read McIver's books, then be sure to read TO LIVE IS TO DIE for an account of Cliff. And before that, read Wall's ENTER NIGHT for an up-to-date biography of the band and for more even handed musical criticism. McIver doesn't like much of Metallica's work after AND JUSTICE FOR ALL. Wall sees more value in it, though he is unduly negative on DEATH MAGNETIC.Unlike McIver or any previous biographer, Wall spends some time discussing the rumor that shortly prior to Cliff's death, Cliff and James had seriously discussed replacing Lars. The speculation that Dave Lombardo from Slayer would have been brought in to replace Lars seems spot on, as Lombardo was particularly unhappy with his bandmates at that time. What would have happened to Lars? Wall doesn't speculate, but I'd wager he would have gone to Dave and joined up with Megadeth. Now that really would have made for some bitter rivalries in the thrash world!Wall helped answer a question that always bothered me: When they got to be arena headliners, why did Metallica have Queensryche and The Cult open for them? Why didn't Metallica take a page from Ozzy's playbook and have an opening band that was more underground and extreme? The answer: both Queensryche and The Cult were represented by Metallica's management, QPrime. I really like both Queensryche and The Cult, and I enjoyed those shows. But it would have been great if Metallica challenged the audience with Death, Cannibal Corpse, or Morbid Angel as an opening band. And what a difference that could have made for Metallica's future development.Wall makes a couple of howling mistakes, both owing to his being from Britain: First, he claims that the GARAGE DAYS RE-REVISITED EP was released as THE $9.98 EP in America. Incorrect. It was released as THE $5.98 EP on cassette and record and was also released on CD as THE $9.98 CD. Second, he claims the album AND JUSTICE FOR ALL takes its title from the final line of the Declaration of Independence. The phrase is actually found in the final line of the Pledge of Allegiance. But the more direct inspiration for the album title comes from 1979 Al Pacino movie AND JUSTICE FOR ALL.All in all, it's worth a read if this will be the first book on Metallica you pick up.
In-depth, good story. Not big Metallica fan, but enjoyed it.
This was a gift and my friend loved it.
I knew most of this stuff.Enjoyed the detail about the album recording sessions.Had some good pictures but not too many.Didn't agree much with the authors take on the last ten years or so of Met's albums (he thinks they all basically sucked.He kind of slammed Death Magnetic which is crazy, that album was GREAT.
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