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The Reel Truth: Everything You Didn't Know You Need to Know About Making an Independent Film
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Did you know that most of the biggest indie filmmakers, screenwriters, and producers working today each made the same avoidable mistakes early on in their careers?The Reel Truth details the pitfalls, snares, and roadblocks that aspiring filmmakers encounter. Reed Martin interviewed more than one hundred luminaries from the independent film world to discuss the near misses that almost derailed their first and second films and identify the close shaves that could have cut their careers short. Other books may tell you the best way to make your independent film or online short, but no other book describes so candidly how to spot and avoid such issues and obstacles as equipment problems, shooting-day snafus, postproduction myths, theatrical distribution deal breakers, and dozens of other commonly made missteps, including the top fifty mistakes every filmmaker makes.From personal experience and his years as a freelance reporter covering independent film for USA Today and Filmmaker magazine, Martin uncovers the truth about the risks and potential rewards that go with chasing celluloid glory. Whether you're writing a screenplay, looking for financing, about to start shooting, or thinking about investing time and money (or someone else's money) in an independent film, The Reel Truth is a must-read.
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Product details
Paperback: 544 pages
Publisher: Farrar, Straus and Giroux; 1st edition (April 28, 2009)
Language: English
ISBN-10: 0571211038
ISBN-13: 978-0571211036
Product Dimensions:
5.6 x 1.5 x 8.3 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
100 customer reviews
Amazon Best Sellers Rank:
#538,981 in Books (See Top 100 in Books)
Reed Martin's "The Reel Truth" is without question the best book on the subject of Indie Filmmaking ever published. It reads like a well-written and fast paced novel and yet gets down in the weeds of the actual pitfalls (ex: forming an LLC to avoid being vulnerable in the future to lawsuits, the mishandling of data cards in a rush to see the dailies which leads to digital drop-outs, and the always overlooked importance of good sound recording - as Danny Boyle points out in the book, good sound is probably the most important aspect of indie filmmaking) and details brilliantly all the aspects of creating, funding, releasing, and marketing an independent film.Without this book I have no idea how much more painful the experience would have been - as I have just completed an indie film and am taking it to film festivals. I have used it like a roadmap, and it was the best twenty dollars I could have spent. A tool as essential as any piece of film equipment (even the appendixes in the back of the book which contain sample in-depth budgets and contracts are great). It was required reading for each producer and the director because we felt there was so much to digest reading it that we would all be better off have gone through the book individually and highlighted it. Although I enjoyed the other known works on the subject ("I Wake Up Screening", "Spike, Mike, Slackers, & Dykes", and "Down and Dirty Pictures"), I felt none compared, or - more importantly - were as relevant as the recently published "The Reel Truth". Nor did the other books really elucidate with clarity all the overwhelming aspects an indie film producer, director, or screenwriter faces. Really no comparasion. This book stresses Strategy, which I have found out personally is of vital importance when marketing your finished film(no coincidence that the author also taught at some of the best business schools in the country). There is even a seperate chapter on documentary films and the newly emerging markets and strategy that are now available for a doc filmmaker to make a great film - and a profit. The chapter on legal issues in "The Reel Truth" is alone worth the price of the book; for example, don't just have your college buddy who is a lawyer to look over the contract, rather hire a professional who knows all the deal points and ways to structure the contract that protects the filmmakers in the event of either failure or succuess. Which is not to mention the other fine legal points of knowing what you can and can't shoot - because there is nothing worse as the book points out as having to cut your favorite scene in post because you didn't legally clear something. Nor have I encountered a book yet that has dived into the horribly prevalent state of screenplay theft; example being: How attending screenplay pitch-fests where you tell your ideas and script beats to a room full of professional producers and fellow screenwriters undercuts any claim you might have since you are freely disclosing your ideas without any expectation of compensation. Indeed, my one worry before reading the book was that since the book was published in 2009, it might not be relevant to making a film in 2011/2012. I couldn't have been more wrong. The book feels like the author wrote it for the 2012 indie film market. For example, he especially examines with a microscope the ever-changing world of Indie film and the new ways to market and distribute your film on Amazon's CreateSpace and Youtube. Do yourself a favor: pay $16 dollars and save yourself a lifetime of heartache and suffering while making your first or second indie film! As the book points out -if there is one constant theme: IT CAN'T BE FIXED IN POST-PRODUCTION. So if you already have the talent and love of film, this book will be more important to you than any MFA a film school could ever provide you.
The Reel Truth is a very comprehensive and helpful guide to the novice and more experienced filmmaker. The book is well written and well researched, offering expert insights into common pitfalls that filmmakers make, and useful tips on how to avoid those mistakes. The reader will need to take some of the fundraising and distribution suggestions in the context of the time in which they were written, as technology and distribution platforms have changed since the book was first published. That being said, the recommendations and suggested resources are still timely and relevant, as are the other suggestions, for ex, around building a compelling narrative and preparing / protecting oneself through the legal system. As someone who is brand new to the filmmaking world, I found the book to be incredibly helpful.
I am currently at the end of post-production on an indie feature and I can say emphatically this is the best book out there for anyone thinking of making an independent film. What Reed Martin has done goes far beyond any of the other books out there... and believe me, I read them all before I went into production. He covers everything, and I mean everything: any challenge a production can encounter, save perhaps issues specific to a particular production, are succinctly, intelligently and honestly laid out in the book... honestly perhaps being the key, as the book is very upfront about the difficulties that are in store. If you are considering making a movie, read this book: while no film is trouble free, there are definitely issues we would have avoided had I read this first. And, if nothing else, it would have helped me mentally prepare even better.While this is a terrific book for people thinking of or about to make an independent film, I also recommend the book for people who have been through the process. It has been edifying to read that heroes of mine experienced the same things we went through on our movie. And so much information is contained in the book that even people well versed in the business will learn some things. I thoroughly enjoyed the book and can't imagine anyone in the film business not benefiting from it and enjoying it.
This has been one of the very best books I have read to date on the subject of making an independent film. Reed Martin covers an amazing amount of content from the early development stages to distribution and marketing. Whether you are just curious about becoming a filmmaker and want to know what is involved with making a feature length independent film, or you have made short and/or and feature films but haven't yet really landed a viable career as a filmmaker, this is a must read! Martin writes in a helpful and easy to understand manner that is both fun to read and highly educational. On top of this, Martin has done his research! The Reel Truth is filled with up-do-date information about marketing independent films and the pitfalls to avoid. Depending on how you approach filmmaking, this book will either be a much needed reality check, or a very helpful hand in steering you in the right direction as you embark on making your first few films! Thank you Reed Martin for the hard work that clearly went into writing this excellent book.
So far this seems to be a really informative book for someone completely new to the film making process. I'm not sure how it holds up for someone who has foundational knowledge, but since I'm less than a year into reading about the actual making of films, this is a good addition to my knowledge base.
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